Shahrzad          
    Published 08/03/07   Changed 08/03/07   Back  
 
     
       
     
       
  Shahrzad, Zurich    
  Shahrzad is a political design collective of alternating members based in Zurich. The collective now mainly works with outdoor interventions in the Land Art tradition, often including large animal carcasses doused in rosewater. They’ve recently published “Tokonoma,” “More on Women’s Misery,” and “This Place I Call My Home Yeah (I Wanna Thank You),” in collaboration with Faouzi Rouissi.    
       
  Founded: 2002
Frequency: unregelmäßig, irregulary
Editors: Manuel Krebs, Shirana Shahbazi, Tirdad Zolghadr
   
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  Editors choice  
     
   
     
   
    / English / Education: / EDUCATION #5- WHAT IS TO BE DONE
     
     
   
       
    EDUCATION #5- WHAT IS TO BE DONE  
       
    Dear Reader,
As the previous issues of Shahrzad have shown, our project is beset with a spirit of vigorous didactism that is currently considered unfashionable. Why, we ask, are people so keen to point out what they dislike, to complain and wrangle, but recoil from the possibility of stating what they want, what they believe in, and what is to be done.

Shahrzad has resolved to give courage to those who find our present an impenetrable caos. we strongly maintain that if thousands of mysteries around us would not trouble but interest us -if only we had cheerful, healthy hearts. We begin this edition with a practical proposal: exercise your sense of cheer and optimism by upholding one of these precepts every day of the week.

Good luck to you!
 
       
    Shahrzad  
       
    #5 Shahrzad Education  
               
           
education_0106.pdf

Education p.5B1 — SOCIAL SKILLS

Seven Short Lessons on How to Express Yourself Adequately in Conversation

Remember that nowadays, every conversation is a job interview.


1. Remember clarity.
Always speak slowly and clearly. Pretend you’re talking to an artist.

Education p.72. Remember to make transitions.
You can make transitions by changing seating position, pausing, using visual aids, picking up a prop or sharply varying your tone of voice. Do anything that breaks the pattern of what you were doing, and introduces what you plan to do next. Remember the timing. timing is not so much knowing how or when to speak but knowing when to pause.

3. Remember the humor.
Humor begins with the choice of words. Know which words are funny and which words are not. Alka Seltzer is funny. You say ‘Alka Seltzer’ you get a laugh. Words with ‘k’ in them are funny. Casey Stengel, that’s a funny name. Robert Taylor is not funny. Cupcake is funny. Education p.8Tomato is not funny. Cookie is funny. Cucumber is funny. Car keys. Cleveland. Ipso facto. Critic/curator. Postcolonial. Postcolonial is funny. Maryland is not funny. Then there’s chicken. Chicken is funny. Pickle is funny. Interdisciplinarity is not funny. Someone actually researched why the ‘k’ sound is funny; it has something to do with the sounds we associated with comfort as babies. Like cootchie-coo, cuddle, cozy, etc. But the choice of words aside, humor hinges on the punchline. The punch-line gets its name from the delivery technique. You must punch the line out a little harder and with a slightly different voice than the rest of the joke. Say it louder and more clearly than you said the setup lines. Just before the punchline you should pause slightly to emphasize and draw special attention to the line. Also, deliver the line to one person and one person only. The person to whom you deliver Education p.9the punchline is NOT randomly chosen. I deliver punch lines to a person I know is going to laugh. How do I know? I pay attention. That’s how I know.

4. Remember the gestures.
The larger the group, the larger and slower the gestures. If you have a small group, use smaller gestures. Generally, let your words trigger your actions. If you are counting, hold out your fingers. If you say no, shake your head no. Hold your hands open and wide apart to show sincerity and honesty. Hold your hands behind your back when asked a question (but don’t overdo it). Also avoid excessive hands in pockets, clenched fists, pointing, hands on hips, and the infamous fig leaf position where your hands are crossed in front of your groin.

5. Remember the competition.
Do not hesitate to blow out other people’s candles to make yours shine brighter. If you do it Education p.10well, no one will notice.

6. Remember how to close a conversation.
If the subject is appropriate, humorous closings are preferable for several reasons. If you leave them laughing, an extremely positive impression about you will remain. The same shift in technique can be very effective in ending a mostly humorous engagement. Have them laughing all along while you make your points. Then finish seriously. This contrast will create a great impact. It will convey the fact that you believe in a lighthearted approach to the subject, but the results are very serious to you.

7. Remember to revise.
Make a transcript of your conversations, which you can record with a standard digital voice Education p.11recorder. How did you fare? Did you seem dull, insecure, or self-indulgent? Here’s an exercise: circle every ‘I’ and every ‘you’ that you have uttered. What’s the ratio? If it’s not three to one in favor of ‘you’, rewrite your conversation.




Education p.27



 

 

 

 

 Education p.68

 


 
               
 
   
Top   Published 08/03/07   Changed 08/03/07     Add to Magazine   My Magazine
     
 
 
     
  Editors choice  
  [esferapública]
A Prior
Afterall
AIDA
Akhbar al-Adab
Amkenah
ArchNet
archplus
Art China
ART iT
Art World
art-ist
arte y crítica
Bidoun
Birikim
Brumaria
Cabinet
Camera Austria International
Canal Contemporâneo
Chimurenga
Chindwin
Chto Delat? / What is to be done?
CLiCK
Concrete Reflection
Criterios
Critical Inquiry
Ctrl+P Journal of Contemporary Art
Curare A.C.
De Witte Raaf
diaTXT
documenta 12 Magazine
Dushu
-empyre-
Eurozine
exindex
FOCAS, Forum On Contemporary Art & Society
Frakcija
Frontiers
Glänta
Grey Room
IDEA arts + society
INTO-GAL
journal BOL
Kakiseni.com
kalam
kunst.ee
Le Monde diplomatique
LTTR
malmoe
Masharef
Maska
Metronome
Metropolis M
Moscow Art Magazine
Multitudes
Multitudes Guerrilla News
n.paradoxa
Naqd
Natural Selection
Neural
Off The Edge
Øjeblikket
Pages
Pananaw, Philippine Journal of Visual Arts
Parachute
Performance Research
Piktogram
pulgar
Punto de Vista
Radical Philosophy
Ramona
Remont Art Magazine
Revista de Critica Cultural
Rizoma
sab0t
Sabei Phyu
sentAp!
Shahrzad
Site
Siyahi
springerin
studio
talawas
Thai bookazine [Bangkok Documenta Magazine]
The Sarai Reader
Third Text
TkH - Teorija koja Hoda (Walking Theory)
trópico
Urban China
Vacarme
Valdez
Vector
velocidadcrítica
Yishu
Zehar